Occasionally however, on returning to the 'heel back' poistion the display will read 3% or 4% or whatever (not 0%).  This is a relatively small difference and not noticable when I use the pedal for volume but for whammy, it's noticably out of tune.

The pedal has been calibrated. I've even tried calibrating it with a buffer zone at each end the pedal's travel but the problem still persists.

I'm not sure if this is a problem with the pedal or the NS and would be interested to know if anyone else has had the same problem...

Ta

Anyways.  I realize now I am going to have an excellent Delay pedal...  I heard some of the sounds in the online demo that made it sounds like Chorus..  Vibrato.. etc...  is this true.  I am in a 4 piece heavier jam band, and I'm looking for something that kind of sits in the mix like a keyboard synth..  tho it doesn't have to be exactly chorus sounds or whatever..  I just need that atmosphere.  I'd like very much to just get rid of the Boomerang but only if you think for the time being it could do something like this.   Some of the tone prints seem to have chorus/flange etc in them as well.  Would that basically be my chorus setting.. the tone print.  I could settle just having 1..   let me know what you think!   Also where is it good to put in the line of pedals!??

I play in a number of situations but most of my time is taken up in a rock band. I do about 80 percent keyboards and 20 percent guitar. About 6 gigs a month in medium size clubs. I move a lot of equipment (two keyboards, keyboard stand, two guitars, two stage monitors, small mixer, cables, etc...). I have tried a few things to keep my guitar rig down in size. I have a POD HD500 that I was plugging into my stage monitors and then giving the house a direct signal. It was okay until one day I decided to lug my Blackstar Club 40 to the gig just for something different. I forgot how much fun a real tube amp was fully cranked. It was also very simple; guitar in amp and a pedal to switch between clean and dirty.

Although I tried the HD500 in a 4CM with the Blackstar and it sounded great, again I was bringing too much equipment. I bought the NS thinking I would front the HT50 with it or use it without drive though the effects loop. Well when I got home with my NS, my HT40 was not available  (it was in the garage and I was too lazy to bring it down into the studio). I first tried the NS through my Roland Cube 80X. The NS effects sounded great, the OD and Distortion not as much. I have a Tech 21 Power Engine and SansAmp Gt2 that I have not used in years. I pulled those out, set the SansAmp to fender clean, off-axis mic, with gain turned up but not enough to distort. I put the NS in front of it and was blown away. I've never had an effect unit that is so musical. Cannot wait to try it live.

www.youtube.com/user/gsystemvideos

I'll draw the winner from a hat when the Nova Drive shows up, so, the comments will be open until then.
A special THANK YOU to Mike and Tore at TC for making this happen, they rock!
Good luck, and ROCK ON!
Scott.

Just thought I'd ask this. I usually connect up via the 4CM with my mesa mark v but I wanted to know if I was to say gonna be doing a gig where I wanted to borrow an amp and use the nova drive for all my drive sounds instead of my mesa what connections would I need to change?

I guess I would be connecting just to the front end of the amp right?

Thanks

Paul

I see many are using the drive input at line level with success.  This would seem like an ideal volume boost for loop users.  Could add a little dirt to taste.

So, do you still use your Crybaby, Morley, Vox, etc. or you prefer the wah in G-System. I need to buy an expression pedal to test it.

I really like the Crybaby wah, is the G-System wah close to it?

Thanks!

Im using a Tonebone to bring in a second amp during live performances.

I was wondering if i could incorporate the tonebone into the g system so that when i change a patch it does this as opposed to tap dancing around on stage

Thanks

R

Thanks guys!

P.S. both my guitars have EMG 81's and my style ranges from blues to rock to heavy-supergain

Thank you

I play in a band and we mostly cover classic rock tunes. My current rig consists of:
- Strat with Texas Specials or Gibson w/ 57 Humbuckers into
- MXR Custom Audio Electronics Boost/LineDriver or Compressor/sustainer
- Fulltone ClydeDeLuxe Wah
- Analogman TS-808
- Fulltone Fulldrive
- Boss Chorus Ensemble, Flanger and DD-5 plugged into Fender Bassman 1959 reissue.

Considering that the repertoire extends towards hard-rock, I bought a Marshall JCM800 (2203) Half Stack to use on stage, instead of the Bassman. I hope the switch will save me to use two overdrives in chain, which required me to tap-dancing in most songs...

The same repertoire requires me to kneel and modify delay pedal's knobs according to the song, and I would like to use a generous number of effects in great quality and easily stored/recall from the memory the G-system way.

Before I proceed buying the G-Sys, I have went through the posts in the forum, and it seems I should NOT use the overdrive pedals in the loop for the reduced sound quality. This, unfortunately was one of the prime drivers justifying the cost. Could you please share your thoughts?

The second purpose is to be able to recall specific effect groups with specific parameters from memory - I can see this one works.

The third is that I will now be able to use 4CM to connect it to the amp, but it seems I'll need the DI box to make it work right... Did I understood that right?

Thank you very much...

Best Regards